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Reviews and Texts
15/12/2024
Taste trough the senses. “Dance to Live”
15/12/2024
Should we report Gogol as missing? “Viy. The Nights of Horror”
13/12/2024
Delivering Message to God. Ukrainian Dance Platform in Riga
26/08/2024
“The body is never objective,” an interview with Israel Aloni*
29/04/2024
Baltic dance platform 2024: a view through the eyes of a (non) critic
08/04/2024
Revisiting the hype of Hyper Weekend 2024
13/12/2023
The Baltic Dance platform announces the program and extends the guest registration to 15th of January
24/05/2023
Application for the Baltic Dance Platform is now closed; the international jury revealed
06/03/2023
Open call for “Baltic Dance Platform 2024” in Riga has been announced
29/08/2022
Baltic Dance – at the Main Dance Biennale Internationale Tanzmesse NRW
24/08/2022
Some Thoughts and Questions After Laiks dejot
27/07/2022
No One Size Fits All
04/07/2022
Apply now to become an Aerowaves Artist
01/05/2022
Celebrating Coworkers
21/03/2022
What Is Art? What Is Good Art? An Interview with Pawel Sakowicz
19/02/2022
Interview with Arūnas Mozūraitis and Adrian Carlo Bibiano
10/01/2022
Open Call. Aspiring Dance Writers Wanted!
08/11/2021
Call for Proposals: Baltic Dance at Tanzmesse Nrw
20/09/2021
We are you. Conversation with Evangelos Poulinas, one of the creators of the b12 festival in Berlin
17/09/2021
Save the Date – Second Baltic Dance Platform Will Soon Kick Off
03/07/2021
The dancing wolf(s). About the project “45+”
29/03/2021
International Contemporary Dance Workshop ‘Riga/ONline 2021’
16/03/2021
2D DANCE. BETWEEN LOVE AND ABUSE. Jana Jacuka performance’s “Everything’s going to be okay” review
27/02/2021
2D Dance. Surviving Masculinity. Klāvs Liepiņš performance’s ‘Grosombols’ review
14/02/2021
2D Dance. Ekskursija – Excursion – as watched on video. Sandra Lapiņa performance’s review
07/02/2021
2D Dance. This is how to celebrate. Performance’s “And Suddenly, the Swans!” review
21/01/2021
2D Dance. Bad, worse, the worst. Agate Bankava performance’s ‘Good Contemporary Dance Performance ”Bad”’ review
12/01/2021
2D Dance. Sintija Siliņa dance performance’s ‘Rock Bottom /// Bedre’ review
31/05/2020
2019 Interviews
23/05/2020
2019 Reviews
05/01/2019
Visual and textual access to the ICE HOT Nordic Dance Platform 2018
23/08/2018
Imagining I am 20, accepting I am 45+ and keep dancing
05/06/2018
#bodymatters. About Ben J. Riepe’s performance “Carne Vale!”
13/12/2017
Are You in the “Context” ?!
09/12/2017
Heart Beats Light in the polar night
14/02/2017
How to measure the maturity of a performance? DanseFestival Barents in Hammerfest
20/12/2016
Far north makes a project “45+” last longer
06/10/2016
“Ananda”: crossing the border between ritual and performance
22/09/2016
Meeting Caroline Waters at ECITE 2016
12/09/2016
Latvian and Bulgarian collaboration in dance performance “Wordless”
13/07/2016
The dictionary of our bodily stereotypes. About “Hardly Ever”
11/06/2016
7 Cups of Coffee. The Writing Movement Network reviewing “Turkish Coffee”
14/10/2015
Sixteen Naked Estonians
27/08/2015
On two performances in Saldus – “Corpuss” by Elina Lutce and Krista Dzudzilo and “Summer feet in Saldus” by Moa M. Sahlin
14/03/2015
Elina Lutce, Movement Research at the Judson Church, Monday, February 16, 2015
12/12/2014
Superficial Look at Nordic Dance Platform ICE HOT (completed)
20/10/2014
Curating Performance – the Politics of the Ephemeral
26/05/2014
Traumatized by Michelle Boulé’s WONDER and other Americans
11/05/2014
Keðja Wilderness Dance in Bebrene
28/04/2014
Two American choreographers and nineteen Latvian dance students
22/04/2014
Aliens in Ainaži. About a Wilderness Dance showing
02/04/2014
Ballet Is Not Your Cardio Training: On Annemarie Autere’s Master Classes in Riga
14/03/2014
Riga, Umea and European values
31/10/2013
Tipperary Dance Platform asks: How do we keep it real?
19/10/2013
Tipperary exists
17/06/2013
TIME TO DANCE 2013 already running! Texts from “Reveal a critic inside yourself!”
17/06/2013
The keðjaKlaip?da: draft review or what we usually don’t show
19/05/2013
Reflection about contemporary dance in the context of „New Baltic Dance 2013” festival
13/05/2013
A presence. About performance “OTRAIS”
12/05/2013
Play a guessing game: who saw the performance?
27/04/2013
Willing to be forced* – about “60’ state of“ by Kadri Noormets and Kadi Maria Vooglaid
24/04/2013
SOUND. Resistance of Material by Erik Alalooga & Andreas W
23/03/2013
After Baltic Bubble Riga: Nationalism in contemporary dance
16/03/2013
Latvian dance in Baltic Bubble Riga
29/12/2012
Power and fragility of ballet: three months after the conference in Stockholm
16/12/2012
Miguel Gutierrez knows what is perfect dance critic
28/10/2012
A BLUE BIRD by Argentinean composer, performer and filmmaker seen with dance eyes
09/10/2012
A RAINY DAY IN PARADISE. Lithuanina dance critic about Latvian performance “Sarah Kane”
29/08/2012
Down there, up there, just a moment in time with light…
28/08/2012
As logic as dance is. About “Solo Logic”
14/05/2012
Lithuanians and Germans between laughter and seriousness
06/05/2012
Provincial Dances
04/05/2012
Dita Eglite on the first two days of NEW BALTIC DANCE ’12
11/01/2012
Taken by New York
03/01/2012
Contemporary Dance in Lithuania
26/06/2011
4 x40 or an everlasting performance (Audron? Motiej?nait? about DANCES OF THE LOST)
25/06/2011
Lithuanian dance critic Ingrida Gerbutavi?i?t? about DANCES OF THE LOST
07/05/2011
Reviews about performance Come with me
19/04/2011
Real bodies, unseen people
