{"id":574,"date":"2011-11-10T21:26:30","date_gmt":"2011-11-10T19:26:30","guid":{"rendered":"http:\/\/www.dance.lv\/eng\/?p=574"},"modified":"2011-12-09T19:18:23","modified_gmt":"2011-12-09T17:18:23","slug":"time-to-dance-e-motional-bodies-cities","status":"publish","type":"post","link":"https:\/\/dance.lv\/eng\/time-to-dance-e-motional-bodies-cities\/","title":{"rendered":"Time To Dance \/ E- Motional Bodies &#038; Cities"},"content":{"rendered":"<p>November 23rd, 2011 Daile Theatre, Riga, Latvia<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>TIME TO DANCE \/ <em>E \u2013 Motional Bodies &amp; Cities<\/em><\/strong><\/p>\n<p><strong><em><\/em><\/strong>Dance performances:<\/p>\n<p><strong>( anti ) aging <\/strong>by Mihaela Dancs &amp; Madalina Dan ( Romania )<\/p>\n<p><strong>When They Are Others? <\/strong>by ZI temp.dance ( Latvia )<\/p>\n<p>&nbsp;<\/p>\n<p>Tickets: 5.00 LVL available at: <a href=\"http:\/\/www.bilesuparadize.lv\/\">www.bilesuparadize.lv<\/a><\/p>\n<h2><!--more--><\/h2>\n<h2><span style=\"color: #ffffff;\"><strong><em><br \/>\n<\/em><\/strong><\/span><\/h2>\n<h2><span style=\"color: #ffffff;\"><strong><em>(anti) aging<\/em><strong><\/strong><\/strong><\/span><\/h2>\n<h3><span style=\"color: #ffffff;\"><strong><strong> by Mihaela Dancs &amp; Madalina Dan ( Romania )<\/strong><\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><strong>Concept, choreography, performance:<\/strong> M?d?lina Dan, Mihaela Dancs<\/p>\n<p><strong>Light design:<\/strong> C?t?lin Nicolescu<\/p>\n<p><strong>Music:<\/strong> collage<\/p>\n<p><strong>Video:<\/strong> Madalina Dan, Mihaela Dancs<\/p>\n<p><strong>Partners:<\/strong> E-motional Bodies&amp; Cities\/ Gabriela Tudor Foundation, Colectiv A Association<\/p>\n<p>Project financed by The National Dance Center &#8211; Bucharest<\/p>\n<p>&nbsp;<\/p>\n<p><strong>*it contains nudity<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>(anti) aging<\/strong> was created with the intention to be remade after 30 years, in 2041. In 2011 Madalina Dan and Mihaela Dancs propose the <em>creative sanatorium<\/em> format, aiming for delight, relaxation and psychic comfort, enjoyment of pleasure, vitality and voluptuousness, serene acceptance of the present and preservation for the future.<\/p>\n<p>&nbsp;<\/p>\n<p><em>&#8220;(anti) aging<\/em> is a tonic and tender performance about an age which smolders with the memory of certain impulses and strong sensations. It is an affective map of the future, as it appears projected within existing voices. It is an emotional manifest of the ones-we-will-become, as we would have in our hands a photography of ourselves at different ages.&#8221;<\/p>\n<p>(Mihaela Michailov, Art Act Magazine, nr. 139, 26.10.2011)<\/p>\n<p>&nbsp;<\/p>\n<p>Supported by:<\/p>\n<h6><a href=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/01\/flag-logoeac-culture_en.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-464\" title=\"flag-logoeac-culture_en\" src=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/01\/flag-logoeac-culture_en.jpg\" alt=\"\" width=\"120\" height=\"50\" \/><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>his project has been funded with support from the European Commission. This communication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/09\/KMzimols-izversts-gerb1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-570\" title=\"KMzimols-izversts-gerb1\" src=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/09\/KMzimols-izversts-gerb1.jpg\" alt=\"\" width=\"186\" height=\"42\" srcset=\"https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/09\/KMzimols-izversts-gerb1.jpg 419w, https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/09\/KMzimols-izversts-gerb1-300x68.jpg 300w\" sizes=\"auto, (max-width: 186px) 100vw, 186px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-279\" title=\"krasainais_logo vkkf\" src=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg\" alt=\"\" width=\"151\" height=\"86\" srcset=\"https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg 448w, https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf-300x172.jpg 300w\" sizes=\"auto, (max-width: 151px) 100vw, 151px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #ffffff;\"><strong><em>WHEN THEY ARE OTHERS?<\/em> <\/strong><\/span><\/h2>\n<h3><span style=\"color: #ffffff;\"><strong>By <strong><em>ZI temp.dance <\/em><\/strong><\/strong><strong>( Latvia )<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><strong>Idea and choreography:<\/strong> Ilze Zirina<\/p>\n<p><strong>Dance:<\/strong><em> <\/em>Ivars Bronics,\u00a0Laura Grase, Eva Kronberga,\u00a0 Martins Spruds, Ruta Vilcane, Ilze Zirina.<\/p>\n<p><strong>Music:<\/strong><em> Chemical Brothers, Neutral<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>We are who we pretend to be, that\u2019s why we need to be very carefull while choosing our pretension. <\/em><\/p>\n<p>( Kurt Vonnegut )<\/p>\n<p>Conclusion: Fantasy, imagination, dreams are relatives of reality.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c Eva Kronberga\u2019s sliding forward on her elbows on asphalt; energy of the performance and attention towards the little things; organized chaos in a\u00a0 filigree way, situation after the situation, dance performance, when the movement has a meaning, whitout being narrative, when one wants to think about the movement not the story, Ruta Vilcane\u2019s fight with the flat back or standing in a table position in the corner of the stage \u2013 this all live in When They Are Others, created by Ilze Zirina and ZI temp.dance.\u201d<\/p>\n<p>( Inta Balode, journal.dance,\u00a0 Latvija )<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Supported by:<\/p>\n<p><a href=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-279\" title=\"krasainais_logo vkkf\" src=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg\" alt=\"\" width=\"158\" height=\"90\" srcset=\"https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg 448w, https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf-300x172.jpg 300w\" sizes=\"auto, (max-width: 158px) 100vw, 158px\" \/><\/a><\/p>\n<p><a href=\"..\/wp-content\/uploads\/2011\/05\/krasainais_logo-vkkf.jpg\"><br \/>\n<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/11\/logo-LKK.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-576\" title=\"logo LKK\" src=\"https:\/\/dance-lv.stackstaging.com\/eng\/wp-content\/uploads\/2011\/11\/logo-LKK.gif\" alt=\"\" width=\"173\" height=\"96\" srcset=\"https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/11\/logo-LKK.gif 448w, https:\/\/dance.lv\/eng\/wp-content\/uploads\/2011\/11\/logo-LKK-300x168.gif 300w\" sizes=\"auto, (max-width: 173px) 100vw, 173px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>November 23rd, 2011 Daile Theatre, Riga, Latvia &nbsp; TIME TO DANCE \/ E \u2013 Motional Bodies &amp; Cities Dance performances:&#8230;<\/p>\n","protected":false},"author":3,"featured_media":575,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-emotional"],"acf":[],"_links":{"self":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/comments?post=574"}],"version-history":[{"count":5,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/574\/revisions"}],"predecessor-version":[{"id":595,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/574\/revisions\/595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/media\/575"}],"wp:attachment":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/media?parent=574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/categories?post=574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/tags?post=574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}