{"id":482,"date":"2011-05-25T22:55:58","date_gmt":"2011-05-25T19:55:58","guid":{"rendered":"http:\/\/www.dance.lv\/eng\/?p=482"},"modified":"2018-03-20T08:25:27","modified_gmt":"2018-03-20T06:25:27","slug":"olga-zitluhina-dance-company","status":"publish","type":"post","link":"https:\/\/dance.lv\/eng\/olga-zitluhina-dance-company\/","title":{"rendered":"OLGA ZITLUHINA DANCE COMPANY"},"content":{"rendered":"<p style=\"text-align: justify;\">OLGA ZITLUHINA DANCE COMPANY was founded in 1996 as the first contemporary dance company in Latvia. The artistic director of the company is <strong>Olga Zitluhina<\/strong>. Olga Zitluhina is the headmaster and contemporary dance teacher at the Department of Contemporary\u00a0Dance Choreography\u00a0at the Latvian Academy of Culture; she teaches contemporary dance and character dance at the State Ballet School as well as choreographs for the Latvian National Opera and theatres.<\/p>\n<p style=\"text-align: justify;\">Contacts: Olga Zitluhina, artistic director, <a href=\"mailto:zitluhina@gmail.com\">zitluhina@gmail.com<\/a>, Madara Daudze, manager, <a href=\"mailto:madarad@gmail.com\">madarad@gmail.com<\/a>\u00a0<\/p>\n<p><strong>Latest news coming soon!!!<\/strong><\/p>\n<p><strong>LABIRYNTH or BETTER BLINK EARS (2009)<\/strong><\/p>\n<p>Within contemporary arts forum White Nights<\/p>\n<p>Riga Art Space, Latvia (12.09.2009)<\/p>\n<p><strong>DIX-HUIT PAS (Eighteen Steps) (2009)<\/strong><\/p>\n<p>Based on the novel \u201eDas Parfum\u201c by Patrick Suskind.<\/p>\n<p>Choreography: Dmitrijs Gaitjukevi?s un dejot?ji<\/p>\n<p>Performance: Ramona Galkina, Santa Gr?nfelde, Andris Ka?anovskis, Val?rijs Olehno, Ilze Z?ri?a, Olga \u017ditluhina<\/p>\n<p>Music: Piet Slangen, Kimmo Pohjonen, George Frideric Handel, The Beatles<\/p>\n<p>Music transcription: Verners Biters<\/p>\n<p>Lighting design: Igors Kapustins<\/p>\n<p>Costumes: Zenta Ka?anovska<\/p>\n<p>Perl glitters reflect in the shadow<\/p>\n<p>But trone-pretender often makes sick<\/p>\n<p>Teens stuff yellow fruits of plum in mouthes and pockets<\/p>\n<p>Neither kings nor monsters throw plums from the throne<\/p>\n<p>Feeling close to heart scent &#8211; truthful, pure, no words to describe<\/p>\n<p>Passionate and mindless you fall nude into the darkness<\/p>\n<p>Heartbeat in deadly silence so alike to menuet<\/p>\n<p>not 18 pure words, but cristal clear steps<\/p>\n<p>Madness, or nightmare you won\u2019t reach the throne<\/p>\n<p>To shut glued to the throne ordinary monster\u2019s mouth with the plum<\/p>\n<p>Clear eyes washed in stream waters<\/p>\n<p>18 words not pure, but the steps will play the role<\/p>\n<p>&#8211; premiere &#8211; Time To Dance 2009, Daile\u2019s Theter Small stage, 05.06.2009<\/p>\n<p><strong>DANCES OF THE LOST (4 x 40\u2019)<\/strong><\/p>\n<p>Dance &#8211; Ramona Galkina, Ilze Z?ri?a, Santa Gr?nfelde, Andris Ka?anovskis, Val?rijs O?ehno, Dmitrijs Gaitjuk?vi?s<\/p>\n<p>Choreography &#8211; Olga Zitluhina and dancers<\/p>\n<p>Music &#8211; Gabriel Prokofiev, Cache<\/p>\n<p>Photography &#8211; Andris Ka?anovskis, Val?rijs O?ehno, Dmitrijs Gaitjuk?vi?s<\/p>\n<p>Video design &#8211; P?teris Br?ni?\u0161, Olga Zitluhina<\/p>\n<p>Lighting design &#8211; P?teris Se\u0161o<\/p>\n<p>Technical support- SIA &#8220;RJK\u201d, \u201eP&amp;B\u201d<\/p>\n<p>The forest is. The forest does not do what you want, and the sea does not roll when we need it. About what we leave behind us and what stays behind me. About what we can give and what we do give away. About what is taken without asking. About the forsaken, the gifted, the spare, the most valuable, the thickness of air, wind, breath, warmth. About our differences and similarities. About the fact that we come and go, but the forest IS. Two, but one.<\/p>\n<p>A duet, but two solos.<\/p>\n<p>There is a thick space around, as if the other does not exist. Responsibility for our deeds, for the shade that is climbing and getting wet in attempts to reach you. Is it possible to measure and summarize the traces of our corporeal existence in time and space?<\/p>\n<p>At the end there is nothing. Forward \u2013 to the place, from which you arrived.<\/p>\n<p>Shift of the focus, relations and indifference of the center and margins. It\u2019s impossible to tell who is leaving the traces in whom.<\/p>\n<p>I don&#8217;t know if the trace of the boot on my back is not my own.<\/p>\n<p>&#8211; premiere, DFab, Riga, Latvia (03.10.2008)<\/p>\n<p>&#8211; Museum of decorative arts and design, Riga, Latvia (16.12.2008)<\/p>\n<p>&#8211; Riga Art Space, Latvia, within the Latvian theatre showcase (13.03.2009)<\/p>\n<p><strong>Two and One Hug (\u201915)<\/strong><\/p>\n<p>Created specially for DACEUNION festival at Southbank Centre, London.<\/p>\n<p>Everything is so simple as you can imagine. There is. There is not. There I contact. There is no contact. Simple things don\u2019t have a history. Only simple things are worth remembering. Always new. Always the first time. Looking for the feeling of home under the branches of an old linden tree. The never changing waltz. He says that it doesn\u2019t has to do with him. It has nothing to do with his hug. But technically it has.<\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Dance: Ilze Zirina, Andris Kacanovskis<\/p>\n<p>Music: Dzelzs Vilks<\/p>\n<p>Performances:<\/p>\n<p>&#8211; DANCEUNION festival, Southbank Centre, London (19.09.2008.)<\/p>\n<p><strong>Phrases II<\/strong><\/p>\n<p>Excerpts from Olga Zitluhina Dance Company\u2019s repertoire (educational traveling project \/dance, lecture and masterclasses for art schools with dance program. Also performed in old people homes.)<\/p>\n<p>Choreography &amp; concept: Olga Zitlhuina &amp; dancers<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Andris Kacanovskis, Valerijs Olehno<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Rauda\u2019s old people home (04.03.2008.)<\/p>\n<p>&#8211; Kandava\u2019s Dance School (04.03.2008.)<\/p>\n<p>&#8211; Urga\u2019s old people home (05.03.2008.)<\/p>\n<p>&#8211; N?taure\u2019s Music School (05.03.2008.)<\/p>\n<p>&#8211; Indra\u2019s Arts School (11.03.2008.)<\/p>\n<p>&#8211; Zilupe\u2019s and Ludzas Music and Arts School (12.03.2008.)<\/p>\n<p>&#8211; Tadenava, Raini\u2019s Museum (12.09.2008.)<\/p>\n<p>&#8211; Ventspils (03.11.2008.)<\/p>\n<p>&#8211; Liep?ja (04.11.2008.)<\/p>\n<p>&#8211; Dube?i (03.12.2008)<\/p>\n<p>&#8211; Aizpute (03.12.2008)<\/p>\n<p>&#8211; Sigulda (17.12.2008)<\/p>\n<p><strong>Quick Time Player (\u201925)<\/strong><\/p>\n<p>New and improved version, of course, is better than the previous one, which came out yesterday.<\/p>\n<p>Is that time, which demands new and again improved stuff with never needed features?<\/p>\n<p>No laters, no I should think, no afterwards. Afterwards it could be more expensive, more complicated. Easy access shakes hands with all we have and we go on with downloading till terabyte gets to small.<\/p>\n<p>Quick living? Quick learning? Quick forgetting?<\/p>\n<p>Relative in relation to things standing next.<\/p>\n<p>Huge amount happening, grate slowness entering.<\/p>\n<p>Is there a certain amount of possible speed in the room? In case somebody uses all of that, others stay with nothing?<\/p>\n<p>More gestures make speaker voice quite when we listen.<\/p>\n<p>Five seconds of time to look up at the sky and become full, pure and shining.<\/p>\n<p>Body rests in the comfortable armchair. In the real time it sits still. During Quick Time it keeps running, chasing muscles, skin and breath.<\/p>\n<p>Things happen fast, but there is always time to see, to hear, to feel.<\/p>\n<p>Certain amount of time for everybody. To be with people. We don\u2019t know how long.<\/p>\n<p>Our time and our people. Being with the beauty together.<\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Music: Vincenzo Bellini, Gaetano Donizetti, Giuseppe Verdi<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Santa Grinfelde, Andris Kacanovskis, Valerijs Olehno<\/p>\n<p>Costumes: Sheila<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Daile\u2019s Theatre, Small stage (29.02.2008.) \/work in progress\/<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Daile\u2019s Theatre, Small stage (06.06.2008.) \/premier\/<\/p>\n<p>&#8211; Aquarius time, Daile\u2019s Theatre, Small stage (09.02.2009)<\/p>\n<p><strong>Bicycle (\u201960 or \u201930 \u2013 short version)<\/strong><\/p>\n<p>Collecting and arranging.<\/p>\n<p>Moving and fighting.<\/p>\n<p>Work is done.<\/p>\n<p>Dreams were built.<\/p>\n<p>Great moment comes.<\/p>\n<p>When good is bad.<\/p>\n<p>This is happiness and joy.<\/p>\n<p>To join things in entire whole.<\/p>\n<p>Work is inspired by the play Half-idealist by famous Latvian poet Rainis. This is a project where new and working methods are tried and questions about the relations among text, inspiration, dance and theoretical approach to the arts are asked. The collaboration between the choreographer and dramaturge bringing in direct interpreted and speculative information is very important. The aim is to provide unity and harmony of creative process in order to answer whether we \u2013 as half-idealists can approach something we can call an ideal? And is it necessary?<\/p>\n<p>Choreography and process: Olga Zitluhina and dancers<\/p>\n<p>Music: Dzelzs Vilks \/Juris Kauklis, Kaspars Tobis\/<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Dmitrijs Gaitjukevics, Andris Kacanovskis, Valerijs Olehno<\/p>\n<p>Dramaturge: Inta Balode<\/p>\n<p>Light design: Igor Kapustin (Estonia)<\/p>\n<p>Choreographer\u2019s assistant: Fiona Millward (Grate Britain)<\/p>\n<p>Costumes: Zenta Kacanovska<\/p>\n<p>Somebody from audience in premiers: Claire Porter (USA)<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Daile\u2019s Theatre, Small stage, Riga (29.,30.11.2007.) \/premier\/<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Daile\u2019s Theatre, Small stage (29.02.2008.) \/short version\/<\/p>\n<p>&#8211; New Baltic Dance\u201908, Vilnus (10.05.2008.) \/short version\/<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Daile\u2019s Theatre, Small stage (06.06.2008.) \/short version\/<\/p>\n<p><strong>MA lo KO<\/strong><\/p>\n<p>He was born different than others\u2026<\/p>\n<p>\u201cThe way I look is ruining my psyche.\u201d<\/p>\n<p>The piece is devoted to Janek.<\/p>\n<p>Blue fear from loneliness.<\/p>\n<p>To blow to fate.<\/p>\n<p>Existing, not living.<\/p>\n<p>How long can I endure?<\/p>\n<p>Choreography: Valerijs Olehno &amp; dancers<\/p>\n<p>Music: Clint Mansell, Nick Soudnick<\/p>\n<p>Dance: Ilze Zirina, Andris Kacanovskis, Dmitrijs Gaitjukevics<\/p>\n<p>Road Movie<\/p>\n<p>An interactive dance, music and video art show created especially for the contemporary culture forum \u201cWhite Night 2006\u201d. 5-hour long show during which eight dancers, three musicians and a video artist together with spectators move through the streets of Old Riga showing\/creating alive Road Movie.<\/p>\n<p>The creators of the show offer improvised and set episodes that combine with one another only during the performance following SIGNS. ROAD and ROAD SIGNS in all their possible variations for the dancers, musicians and video artist is the theme of this \u2018alive movie\u2019.<\/p>\n<p>Choreography: Olga Zitluhina &amp;dancers<\/p>\n<p>Music: Dzelzs Vilks<\/p>\n<p>Dance: Olga Zitluhina, Ilze Zirina, Ramona Galkina, Liene Berzi?a, Andris Kacanovskis, Dmitrijs Gaitjukevics, Valerija Olehno, Guntis Spridzans<\/p>\n<p>Video &amp; computer graphics: Olga Kumeger (Russia)<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Old Riga (26.\/27.08.2006.)<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Sapnu Fabrika, Riga (18.01.2008.)<\/p>\n<p>\/adapted version\/<\/p>\n<p><strong>Dance and video project<\/strong><\/p>\n<p><strong>Cooperation with Dzelzsbetons MB Liepaja<\/strong><\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Video: Janis Redlihs<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Liene Berzina, Andris Kacanovskis, Dmitrijs Gaitjukevics, Valerijs Olehno, Kristers Matusevics<\/p>\n<p>(17.03.2006.)<\/p>\n<p><strong>Quarttescope<\/strong><\/p>\n<p>Quarttescope is a dance piece that blends itself to many states of transformation. By framing the space we have created, a springboard to play with. Four dancers interpret, create and collaborate with me. It is a delicate balance between translating a process of improvised and set material. Of creating something real and unreal the scope is improbable. There are many layers. The dance is visual insight of our journey together so far. It is made up of four elements: the dancers, the light design, the music and the watcher. It is only when the fourth element is present that frame becomes whole.<\/p>\n<p>With this in reference it is hoped that you, the watcher, can help open up another window of events to witness the depth of this work. (Andrea Buckley)<\/p>\n<p>Choreography &amp; conception: Andrea Buckley &amp; dancers<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Inga Raudinga, Liene Berzina<\/p>\n<p>Music: Sianed Jones, Daniel Williams<\/p>\n<p>Costumes: Sheyla<\/p>\n<p>Light design: Harijs Zalitis, Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Daile\u2019s Theatre, Small stage (Riga, 16.02.2006.)<\/p>\n<p>&#8211; I International Contemporary Dance Festival Laiks dejot, (Time to Dance) Grivas Mebeles (Riga, 22.06.2006.)<\/p>\n<p>&#8211; The Cornerstone Festival (Liverpool, UK, 28., 29.11.2006.)<\/p>\n<p><strong>Take 735<\/strong><\/p>\n<p>Dancy and musical play for men<\/p>\n<p>Whether man is a hero&#8230;the meaning of heroism\u2026<\/p>\n<p>THEY are located in the private and public women-proof space.<\/p>\n<p>What I want is a peace at the TV. I love fishing.<\/p>\n<p>So many details to think about. Silence and nature, nobody ask questions.<\/p>\n<p>Still a lot of things should be done. You will see how good I am.<\/p>\n<p>I control the situation, I move forward.<\/p>\n<p>And if suddenly something goes wrong,<\/p>\n<p>I can by 735 and then no speed limits.<\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Music: Dzelzs Vilks \/Juris Kaukulis, Kaspars Tobis\/<\/p>\n<p>Dance: Dmitrijs Gaitjukevics, Andris Kacanovskis, Valerijs Olehno<\/p>\n<p>(Kristers Matusevics)<\/p>\n<p>Costumes: Zenta Kacanovska, Olga Zitluhina<\/p>\n<p>Light design: Igor Kapustin (Estonia)<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Grivas mebeles, Riga (22.06.2006.) \/work in progress\/<\/p>\n<p>&#8211; 16th International Dance Festival, Kaunas, Lithuania (06.10.2006.) \/premier\/<\/p>\n<p>&#8211; The Cornerstone Festival, Liverpool (28.,29.11.2006.)<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Sapnu fabrika, Riga (18.01.2007.)<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Daile\u2019s Theatre, Small stage (29.03.2007.)<\/p>\n<p>&#8211; European Dance Platform, K\u00fcnstlerhaus Mousonturm, Frankfurt, Germany (22.05.2008.)<\/p>\n<p><strong>Water pieces<\/strong><\/p>\n<p>Dance and video project<\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Video: Janis Redlihs<\/p>\n<p>Music: Erik Satie<\/p>\n<p>Dance: Ilze Zirina, Ramona Galkina, Liene Berzina, Andris Kacanovskis, Kristers Matusevics, Dmitrijs Gaitjukevics<\/p>\n<p>Performances:<\/p>\n<p>&#8211; International video art festival ?densgabali\u2019 05, Riga City Council vestibule (27.08.2005.) \/premier\/<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Sapnu fabrika, Rigan (07.10.2005.) \/adapted version\/<\/p>\n<p>And Again About the Same. Part I<\/p>\n<p>The dance piece about different expressions of love \u2013 like that of a strawberry melting on the tongue, smarting sweetly, full of longing and a little romance \u2013 the most beautiful of life\u2019s emotions.<\/p>\n<p>Choreography: Olga Zitluhina, Fiona Millward (UK), dancers<\/p>\n<p>Music: Dzelzs Vilks \/Juris Kaukulis, Kaspars Tobis\/<\/p>\n<p>Dance: Ilze Zirina, Kristina Sukstule, Liene Berzina, Guntis Spridzans, Andris Kacanovskis, Kristers Matusevics, Ramona Galkina, Dmitrijs Gaitjukevics<\/p>\n<p>Costumes\/scenary: Olga Zitluhina, Jevgenia Nikolenko, Iveta Sparberga<\/p>\n<p>Light design: Igor Kapustin (Estonia)<\/p>\n<p>Choreographer\u2019s assistant: Ramona Galkina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Sapnu Fabrika, Riga (24.10.2004.) \/work in progress\/<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (09.01.2005.) \/work in progress\/<\/p>\n<p>&#8211; Sapnu Fabrika, Riga (19., 20.03.2005.) \/premier\/<\/p>\n<p>&#8211; New Baltic Dance\u2019 05, Vilnius, Lithuania (06.05.2005.)<\/p>\n<p>&#8211; Paper factory building, Staicele, Latvia (16.08.2005.)<\/p>\n<p>&#8211; Mezmuiza, Ozolaine, Latvija (17.08.2005.)<\/p>\n<p>&#8211; Valmiera\u2019s Drama Theatre, Valmiera, Latvia (19.01.2006.)<\/p>\n<p>&#8211; Daugavpils Theatre, Daugavpils, Latvia (25.04.2006.)<\/p>\n<p>&#8211; Dortmund, Germany (23.,24. 05. 2006.)<\/p>\n<p>&#8211; Tanzfestival Bielefeld, Bielefeld, Germany (28.06.2006.)<\/p>\n<p>&#8211; Balvi, Latvia (02. 11.2006.)<\/p>\n<p>&#8211; Ludza, Latvia (03.11.2006.)<\/p>\n<p>&#8211; Contemporary Arts Festival Virus, Shaulai, Lithuania (01.12.2006.)<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Sapnu fabrika, Riga (17.01.2007.)<\/p>\n<p>&#8211; Cesis Cultural Centre, Cesis, Latvia (20.04.2007.)<\/p>\n<p>&#8211; The Cornerstone Festival, Liverpool, UK (03.12.2007.)<\/p>\n<p>&#8211; Museums\u2019 Night, Dome yard, Riga (17.05.2008.)<\/p>\n<p>&#8211; Aquarius time, Daile\u2019s Theatre, Small stage (09.02.2009)<\/p>\n<p>Phrases I<\/p>\n<p>Excerpts from Olga Zitluhina Dance Company\u2019s repertoire (educational traveling project in Latvia and Norway).<\/p>\n<p>Choreography: Olga Zitluhina, Ilze Zirina, Guntis Spridzans, Andris Kacanovskis, Kristers Matusevics<\/p>\n<p>Dance: Ilze Zirina, Guntis Spridzans, Andris Kacanovskis, Kristers Matusevics<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Barents Dance Festival and schools in Hammerfest, Norway<\/p>\n<p>&#8211; Schools and old people homes in Cesis, Limbazi (Latvia)<\/p>\n<p>The Birds<\/p>\n<p>People\/birds\/creatures are living their colorful lives in some determined colorful space. Blue is blue and yellow is yellow. If you are a small bird, then there is some bigger\u2026 for sure.<\/p>\n<p>Choreography: Olga Zitluhina, Attila Khun (Hungary)<\/p>\n<p>Music: Valery Zukov, Sweet Trip<\/p>\n<p>Dance: Ilze Ziri?a, Kristine Borodina, Kristina Sukstule, Ramona Galkina, Liene Berzina, Guntis Spridzans, Andris Kacanovskis, Kristers Matusevics, Valerijs Olehno, Dmitrijs Gaitjukevics<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (16.06.2004.) \/premier\/<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Sapnu fabrika, Riga (24.10.2004.)<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Grivas mebeles, Riga (20.06.2006.)<\/p>\n<p>&#8211; Laiks dejot, (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (29.02.2008.)<\/p>\n<p>The Abyss Within<\/p>\n<p>International project in honor of joining the European Union (Hungary).<\/p>\n<p>Choreography: Attila Khun (Hungary)<\/p>\n<p>Dance: Ilze Ziri?a, Kristine Borodina, Kristina Sukstule, Olga Zitluhina, Guntis Spridzans in collaboration with dancers from Hungary.<\/p>\n<p>Premier in Budapest, Hungary (01.05.2004.)<\/p>\n<p>When the Owl\u2019s Tail Will Blossom\u2026 or Hallucinogenic Dances<\/p>\n<p>Seven dancers, four musicians, 10X10 meters of light gray dance floor in the center of Dream Factory.<\/p>\n<p>Nobody is born; nobody gets married; nobody dies. Any memory losses and recovery in fresh white painted hospital rooms.<\/p>\n<p>No owl&#8217;s involved.<\/p>\n<p>So, what&#8217;s the story about?<\/p>\n<p>Seven dancers, four musicians from moment to moment, from sensation to sensation, from ignorance to ignorance. From confidence that this time everything will be correct back to the embrace of omnipresent appearance.<\/p>\n<p>\u2026Give up or reconcile\u2026<\/p>\n<p>Choreography: Olga Zitluhina and dancers<\/p>\n<p>Music: Dzelzs vilks<\/p>\n<p>Dance: Ilze Ziri?a, Inga Raudinga, Kristina Shukstule, Krist?ine Borodina,<\/p>\n<p>Guntis Spridzans, Kristers Matusevics, Andris Kacanovskis (Liene Berzi?a, Ramona Galkina)<\/p>\n<p>Costumes: Sheyla<\/p>\n<p>Light design: Harijs Zalitis<\/p>\n<p>Choreographer\u2019s assistant: Ramona Galkina<\/p>\n<p>Premier in Sapnu fabrika (Riga, 03.,04.04.2004.)<\/p>\n<p>Performances:<\/p>\n<p>&#8211; under the title \u2013 Flashback, Budapest, Hungary (30.04.2004.) \/adapted version\/<\/p>\n<p>&#8211; Vilnius, Lithuania (26.06.2004.)<\/p>\n<p>&#8211; Klaipeda, Lithuania (25. 07.2004.)<\/p>\n<p>&#8211; Cesis, Latvia (15.08.2004.)<\/p>\n<p>&#8211; Limbazi, Latvia (19.08.2004.)<\/p>\n<p>&#8211; Liepaja, Latvia (19.08.2004.)<\/p>\n<p>&#8211; Kaunas, Lithuania (06.-10.10.2004.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance), Sapnu fabrika, Riga (17.11.2004.)<\/p>\n<p>&#8211; Valmiera\u2019s Drama Theatre, Valmiera, Latvia (18.01.2006.)<\/p>\n<p>&#8211; Arena Riga, Riga (10.11.2006.)<\/p>\n<p>Fill in the Gaps<\/p>\n<p>British choreographer Sally Doughty worked with the Company for two weeks and as a result an original co-project called &#8220;Fill in the gaps&#8221; was created. The main idea of the piece is investigation of human movement. It speaks about abstract bodies moving in the space and their relations; about collapsing and recovering bodies and essence of movement.<\/p>\n<p>Choreogrphy: Sally Doughty (Great Britain)<\/p>\n<p>Dance: Ilze Zirina, Inga Raudinga, Ramona Galkina, Kristine Borodina, Kristina Sukstule, Olga Zitluhina, Guntis Spridzans, Kristers Matusevics, Andris Kacanovskis<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Latvian Academy of Culture, Riga (16.01.2004.) \/premier\/<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (17.02.2004.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (16.06.2004.)<\/p>\n<p>Remember to Forget<\/p>\n<p>Work in progress for When the Owl\u2019s Tale Will Blossom<\/p>\n<p>Choreography: Olga Zituhina<\/p>\n<p>Dance: Ilze Zirina, Inga Raudinga, Ramona Galkina, Kristine Borodina, Kristina Sukstule, Guntis Spridzans, Kristers Matusevics, Andris Kacanovskis<\/p>\n<p>Performed at Laiks dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (14.12.2003.)<\/p>\n<p>Source of Light<\/p>\n<p>Solo pieces of applicants for dancer\u2019s vacancies at<\/p>\n<p>Olga Zitluhina Dance Company.<\/p>\n<p>Performed at Laiks Dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (10.10.2003.)<\/p>\n<p>Dancers of Olga Zitluhina Dance Company: Ilze Zirina, Inga Raudinga, Ramona Galkina, Kristine Borodina, Kristina Sukstule, Guntis Spridzans, Kristers Matusevics, Andris Kacanovskis<\/p>\n<p>Capriccio<\/p>\n<p>Capriccio is a dance piece about different kinds of little dreams and caprices in life. Three women create their own small universe filled up with memories of the past and dreams about their future. The reality and their stories, dreams and imaginations are mixing up and are brought together into scenes full of tenderness and joy, rage, discontent and hope.<\/p>\n<p>Choreography: Bettina Holzhauzen (Switzerland)<\/p>\n<p>Music: Nikolo Paganini, Manuela Keller, Felix Walder<\/p>\n<p>Dance: Ilze Ziri?a, Inga Raudinga, Agnese Vanaga<\/p>\n<p>Costumes: Sheila<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Daile\u2019s Theatre, Small stage, Riga (03.12.2002.) \/premier\/<\/p>\n<p>&#8211; Valmiera\u2019s Drama Theatre, Valmiera, Latvia (04.04.2003.)<\/p>\n<p>Men Wanted<\/p>\n<p>This is the dance piece about a woman \u2013 about a man in her life, her everyday life and inner contradictions. She is always on the verge \u2013 the beautiful and ugly, love and hate, strength and weakness, elegance and bad taste\u2026<\/p>\n<p>Choreography: Olga Zitluhina &amp; dancers<\/p>\n<p>Music: Fryderyk Chopin, F\u00e9lix Lajk\u00f3<\/p>\n<p>Dance: Ilze Zirina, Agnese Vanaga, Inga Raudinga, Ramona Galkina,<\/p>\n<p>Olga Zitluhina (Iveta Sparberga)<\/p>\n<p>Costumes: Sheyla<\/p>\n<p>Stage design: Art Rawding<\/p>\n<p>Premier at festival New Baltic Dance\u201901 (Vilnus, Lithuania, 20.04.2001.)<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Festival Tanz Tranzit, Kaliningrad, Russia (25.04.2001.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance), Daile\u2019s Theatre, Small stage, Riga (08.06.2001.)<\/p>\n<p>&#8211; Festival Baltic Manoover, LOOFT theatre, Leipzig, Germany (19.10.2001.)<\/p>\n<p>&#8211; Festival Evalutioon\u201902, Tallinn, Estonia (02.03.2002.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance) Daile\u2019s Theatre, Small stage (06.2002.)<\/p>\n<p>&#8211; Des PLATEAUX 2003 de la BIENNALE, Paris, France (25.09.2003.)<\/p>\n<p>Poputchiki<\/p>\n<p>We are constantly on the road, traveling from one destination to another. Situations and people around us keep changing constantly &#8211; the mad race of the end of the century as opposite to a monotonous trip that seems to last forever. The slow-motion world as we see it through the window of a train suddenly can turn into a lively fuss of the railway station.<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: Johann Sebastian Bach, Mich Gerber, from movie Rio Rita<\/p>\n<p>Dance: Ilze Ziri?a, Agnese Vanaga, Iveta Sparberga, Ramona Galkina,<\/p>\n<p>Olga Zitluhina<\/p>\n<p>Costumes: Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Festival New Baltic Dance\u201999, Vilnius, Lithuania<\/p>\n<p>&#8211; XII International Festival of Modern Choreography, Vitebsk, Byelorussia (11.1999.)<\/p>\n<p>&#8211; Baltic platform Les Recontres Choreographiques de Saine- Saint-Denis at festival Evolutsioon\u201900, Tallinn, Estonia (27.02.2000.)<\/p>\n<p>&#8211; New Baltic Dance Festival, Vilnius, Lithuania (08.04.2000.)<\/p>\n<p>&#8211; Festival Impulse, Kishinev, Moldova (26.05.2000.)<\/p>\n<p>&#8211; Performances in Sweden \u2013 Stockholm, Vesteros (10.11.2000.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance) Daile\u2019s Theatre, Small stage, Riga (27.,28.11.2000.)<\/p>\n<p>&#8211; Festival Exercise &#8211; 2000, St. Petersburg, Russia (19.12.2000.)<\/p>\n<p>&#8211; Laiks Dejot (Time to Dance) Daile\u2019s Theatre, Small stage, Riga (8. 06.2001.)<\/p>\n<p>&#8211; International Serge Djaghilev Competition of Choreography Art, Gdansk, Poland (30.04.2002.)<\/p>\n<p>&#8211; Laiks dejot (Time to Dance), Grivas mebeles, Riga (20.06.2006.)<\/p>\n<p>7 Margarithas + 2<\/p>\n<p>Choreography version of rock opera Faustus Deus Ex Machina for seven dancers and two musicians in cooperation with rock band Deus Ex Machina (Andris Vilcans, Juris Kaukulis)<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: Andris Vilcans<\/p>\n<p>Dance: Ilona Petrika, Ramona Galkina, Ilze Zirina, Agnese Vanaga,<\/p>\n<p>Inguna Ievina, Aija Stalune, Iveta Sparberga, Olga Zitluhina, Amelie Phanten<\/p>\n<p>Performed at festival New Baltic Dance\u201999, Vilnius, Lithuania (16.03.1999.)<\/p>\n<p>Faustus Deus EX Machina<\/p>\n<p>Rock opera<\/p>\n<p>Daile\u2019s Theatre<\/p>\n<p>Music: Andris Vilcans<\/p>\n<p>Direction: Dz. Dz. Dzilindzers<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Dance: Ilona Petrika, Ramona Galkina, Ilze Zirina, Agnese Vanaga,<\/p>\n<p>Inguna Ievina, Aija Stalune, Iveta Sparberga, Olga Zitluhina, Amelie Phanten<\/p>\n<p>Premier in Latvia Daile\u2019s Theatre, Riga (02. 1999<\/p>\n<p>Part Two<\/p>\n<p>&#8230;Is it needed? Why? Where? Why for?&#8230; Does anyone care? The main idea is how and with whom\u2026<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: Aram Hachaturyan, Michel Besson, Jael<\/p>\n<p>Dance: Aija Stalune, Ilona Petrika, Ilze Zirina, Olga Zitluhina, Inguna Ievina, Agnese Vanaga, Ramona Galkina<\/p>\n<p>Costumes: Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Evening of international contemporary choreographies, Daile\u2019s Theatre, Small stage, Riga (25.10.1998.) \/ work in progress\/<\/p>\n<p>&#8211; Evening of contemporary choreographies Six Contemporary Choreographies, Daile\u2019s Theatre, Small stage, Riga (29.11.1998.)<\/p>\n<p>&#8211; New Baltic Dance\u2019 98, Vilnius, Lithuania (16.03.1999.)<\/p>\n<p>&#8211; Festival Stu-Dance\u2019 2, Odessa, Ukraine (06.1999.)<\/p>\n<p>&#8211; Time to Dance, Daile\u2019s Theatre, Small stage, Riga (27., 28.11.2000.) \/fragments\/<\/p>\n<p>1st International Dance Festival Laiks dejot (Time to Dance), Riga (19.\u201322.06.2006.) \/fragments\/<\/p>\n<p>Spitting, Whistling in the Ceiling<\/p>\n<p>\u2026Don&#8217;t lose the beauty of the moment, thinking about the future\u2026<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: George Frideric Handel, Les Negresses Vertes<\/p>\n<p>Dance: Olga Zitluhina, Ilze Zirina, Ilona Petrika, Iveta Sparberga, Agnese Vanaga, Janis Bormanis (Inguna Ievina, Ramona Galkina, Velga Sturite)<\/p>\n<p>Costumes: Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Contemporary Dance Festival, Tallinn, Estonia (06.10.1996.) \/premier\/<\/p>\n<p>&#8211; Daile\u2019s Theatre, Small stage, Riga (08.03.1998.)<\/p>\n<p>&#8211; East European Contemporary Dance Choreography contest, Budapest, Hungary (1998.)<\/p>\n<p>&#8211; New Baltic Dance\u2019 98, Vilnius, Lithuania (28.05.1998.)<\/p>\n<p>&#8211; Four performances at festival East of Eden in Dance Theatre Workshop, New York, USA (03.06. \u2013 06.06.1998.)<\/p>\n<p>&#8211; Festival University of Dance, Gdansk, Poland (06.1998.)<\/p>\n<p>&#8211; Evening of International Contemporary Choreographies, Daile\u2019s Theatre, Small stage, Riga, (25.10.1998.)<\/p>\n<p>Evening of contemporary choreographies Time to Dance, Daile\u2019s Theatre, Small stage, Riga (27.,28.11.2000.)<\/p>\n<p>Knasif \u2013The World of Dreams<\/p>\n<p>Olga Zitluhina Dance Company at musical performance Knasif \u2013 the World of Dreams in New Riga Theatre, Riga (1997.)<\/p>\n<p>The Three Rains<\/p>\n<p>Do you always know where are you going?<\/p>\n<p>I don\u2019t. I am just going\u2026<\/p>\n<p>\u2026but where does the rain go?<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: Saint-Preux, Alex Dune, Gatis Krumins (trumpet solo)<\/p>\n<p>Dance: Ilona Petrika, Aija Stalune, Iveta Sparberga, Ella Skvorcova,<\/p>\n<p>Olga Zitluhina, Ramona Galkina<\/p>\n<p>Costumes: Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; New Baltic Dance Festival, Vilnius, Lithuania (03.1997.)<\/p>\n<p>&#8211; Festival Baltic University of Dance, Gdyna, Poland (17.06.1997.)<\/p>\n<p>&#8211; X International Modern Dance Festival, Vitebsk, Byelorussia<\/p>\n<p>&#8211; Daile\u2019s Theatre, Small stage, Riga (08.03.1998.)<\/p>\n<p>Herring\u2019s Vacation<\/p>\n<p>\u2026dream about unapproachable\u2026 Also dried herring wants to swim.<\/p>\n<p>Choreography: Olga Zitluhina<\/p>\n<p>Music: Johann Sebastian Bach, Les Fly\u2019s, Nils Ile (percussions)<\/p>\n<p>Dance: Olga Zitluhina, Ilona Petrika, Ramona Galkina, Iveta Sparberga,<\/p>\n<p>Inguna Ievi?a, Ella Skvorcova, Krista Zelmane<\/p>\n<p>Costumes: Olga Zitluhina<\/p>\n<p>Performances:<\/p>\n<p>&#8211; Modern Dance Festival in Kaunas, Lithuania (06.10.1996.) \/premier\/<\/p>\n<p>&#8211; New Riga Theatre, Small stage, Riga (28.10.1996.)<\/p>\n<p>&#8211; 2nd International Baltic Ballet Festival, Riga (26.04.1997.)<\/p>\n<p>Daile\u2019s Theatre, Small stage, Riga (08.03.1998.)<\/p>\n<p style=\"text-align: justify;\"><!--more--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OLGA ZITLUHINA DANCE COMPANY was founded in 1996 as the first contemporary dance company in Latvia. The artistic director of&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-482","post","type-post","status-publish","format-standard","hentry","category-artists"],"acf":[],"_links":{"self":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/comments?post=482"}],"version-history":[{"count":3,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/482\/revisions"}],"predecessor-version":[{"id":485,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/posts\/482\/revisions\/485"}],"wp:attachment":[{"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/media?parent=482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/categories?post=482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lv\/eng\/wp-json\/wp\/v2\/tags?post=482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}